The physical elements of Africa that are prominent in the film are the landscapes. Pollack and cinematographer David Watkin use aerial shots and panning to show the depth and expanse of the African land. These images of lush, green jungles, dry, blue-skied deserts, and wild animals portray Africa as a vast, untouched place, (as one will still find in National Geographic). Karen Blixen's perception of Africa is exotic, allowing her to free herself from being a "mental traveler". The greatest image viewers have of Africa in the
Pollack's use of symbols throughout the film also lead viewers to understanding Karen Blixen's idea of Africa. One symbol is the compass Meryl Streep's Karen receives from Denys. The compass is a symbol of guidance and security, guiding Karen on her small ventures while also protecting her from the mysteries and dangerous terrain of Africa.
The dialogue in Out of Africa also serves as an image, impelling viewers into seeing the Africa depicted in the movie as Karen Blixen's Africa. Blixen refers to "my farm...my Kikuus...my Africa," subtle expressions that what we see on the screen is not a real picture of Africa, but the image Blixen has created in her memoir, in her mind.
These metaphorical and physical images of Africa ensure that Sydney Pollack was not trying to manipulate or exploit Africa, but to further illustrate Africa as a place that was once, and still is (1985) an alluring and boundless place.
